Recitations
available for download
aksharamanamālai
poster |
|
V.S.Ramanan Sangeeta K.Subramanian J.Jayaraman |
Tamiḷ transliteration devanagari(.doc) | |
appalam ittu pāru | J.Jayaraman | English & Tamiḷ text | ||
ārati (sanskrit) | Martin | transliteration | ||
guru ramaṇa ārati (tamiḷ) | Nimmi | transliteration & translation | ||
Om Arunachala Malai | Nimmi | |||
Arunachala Pancaratnam | devotees ?? |
As Explained by the Maharshi | ||
Arunachala Pancaratnam tamiḷ | J.Jayaraman | |||
Arunachala Siva | 01m 56s | 1.8 MB | [1] | |
108x (46m 08s) | 43 MB | |||
108x (46m 08s) | 43 MB | |||
Bhaje Ramana Namam | 3m 57s | recited by Varsha & Varun | ||
Catvarimsat |
14m 26s 14m 22s |
Sanskrit Hymns JJ, Rao, AmC; 1994, Sri Ramanasramam |
||
guru vachaka kovai | 2m 48s | 1 MB | ||
om namo bhagavate śrī ramaṇāya | 30m 04s | 30 MB | ||
ramaṇa mantra mathṛkasthava | 12m 49s | 8.8 MB | ||
prapatti ashtakam | 5m 13s | 3.6 MB | ||
शिवपञ्चाक्षरस्तोत्र – śivapañcākṣarastotra | 41m 11s | 61 MB | [2] | |
1h 03m 08s | 58 MB | |||
Saranāgati[3] | text | Genesis of the poem | ||
Sri Lalita Sahasranam | stotra | |||
A.B.Bhagavat | 31m 05s | 7.2 MB | ||
45m 43s | 32 MB | |||
J.J & Rao | 43m 21s | 40 MB | [4] | |
J.J & Rao | 48m 54s | 52 MB | ||
Upadesa Saram | J.Jayaraman | English text |
Arunachala on soundcloud [ over 300 tracks ]
Footnotes:
( The 30+ MB files listed above may take up to a minute before triggering a popup )
[1] the 46m download is a 108 repetitions of the video posted on
this is the chant that plays on Sri Ramanasramam's home page : Sri Ramanasramam.
( The 30+ MB files listed above may take up to a minute before triggering a popup )
[1] the 46m download is a 108 repetitions of the video posted on
this is the chant that plays on Sri Ramanasramam's home page : Sri Ramanasramam.
[2] Sivaya-nama yanama-siva, ma-siva yanama, maya nama si, nama-sivaya
This chant is also hosted on .
The 1 h 3m entry is a slower version of the 41m download
[3] There is also Sri Ramanasramam's Saranāgatī eNewsletter
[4] the intent of this recording was to make it easier for someone to learn to recite Mother's Names.
The original recordings started at a very slow pace and increased by the end to a very quick tempo. Beginners may find the longer recording easier to follow.